Mastering & Creating Your Final Mix Like the Pros (Mastering Process).

Common locations of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between songs. Equalization: Sometimes you'll want to change the eq or compression on a mix after you have actually done the last mix. Or you may have ten songs mixed by three various engineers in 5 different studios.

Each song's eq may seem best by itself, however if you series them together, suddenly one song sounds too brilliant (or too dull ...). Adjusting the eq can even whatever out. Pointer # 1: remember that any eq modifications to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz because your mix sounds muddy, remember to check how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Idea # 2: if you're uncertain about an eq decision during mixdown, know that it's easier to cut lower frequencies in mastering than to increase them, and easier to boost higher frequencies than to cut them. Compression: In mastering, this is used not just to manage a mix or to include character, however likewise to "print" or send as much level to the master as possible without clipping the signal. This can almost seem like a competitors for who has the loudest cd (" my record sounded excellent till I listened on my CD carousel and Green Day was 5 db louder!"). Mastering engineers should stabilize level with sonic integrity. Levels: Ideally, a listener can play your record and not have to get up to adjust the volume. This is attended to in mastering, after the record has actually been sequenced. Only then can you truly know how levels relate to each other as one song ends and the next starts.

Spacing & Crossfading.

Spacing: there are various approaches as to how one need to approach the spaces put in between tunes on a record. Some feel the downbeat of one tune should fall at the start of a brand-new bar, in the pace of the previous song (to continue the circulation.) Others believe you ought to prevent this like the pester, since it lessens the impact. In the end, do whatever feels. There is no requirement. Cross-fade your songs if you like, or place six seconds in between them. (2-4 seconds prevails in most popular, non-classical records, however it depends on you.) Final pointer: you might be inclined to master the same recordings that you combined, whether it is for monetary reasons, innovative reasons, or simply because you can. However we strongly recommend that you get somebody else to master your job. The neutrality and fresh ears they give the table invariably lead to a stronger, more cohesive album.


Typical locations of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between tunes. Or you might have ten songs blended by three different engineers in 5 different studios.

Each tune's eq might seem ideal by itself, however if you sequence them together, all of a sudden one song sounds too bright (or too dull ...). Tip # 1: remember that any eq modifications to your stereo mix Free Type Beat Hip Hop impact the entire mix - if you desire to cut 3 db at 80Hz since your mix sounds muddy, remember to inspect how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is used not simply to manage a mix or to include character, however likewise to "print" or send out as much level to the master as possible without clipping the signal.

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